In 1525, Albrecht Dürer published Of the Just Shaping of Letters (available for free from Project Gutenberg). Most of the book is instructions on how to make Roman Capitals. The last several pages contain "Directions for the Construction of the Text or Quadrate Letters". If you are looking for an authentic, later-period source for a full gothic alphabet, I present Dürer's own (translated) words and examples.
Note that there is no W in the majuscule letters. The I can be used for J, and the V can be used for U. The j is also missing from the minuscule letters, though it's easy to make one based on the i.
Showing posts with label Resources. Show all posts
Showing posts with label Resources. Show all posts
Thursday, August 27, 2015
Tuesday, March 17, 2015
The Art of Calligraphy by David Harris
The Art of Calligraphy: a Practical Guide to the Skills and Techniques | by David Harris | |
Out of Print - ISBN-13: 978-1564588494 - Search Online for a PDF copy. | ||
This is my favorite calligraphy book. It somehow manages to be both concise and detailed, beautiful and functional, informative and entertaining. It combines a stunning visual layout and images of period examples with a unique ductus for a large number of scripts, all while including a surprising amount of history. I particularly like that Harris provides both calligraphic family tree that maps the development of different scripts over time and a quick reference chart that compares all the scripts in the book on one page. Sadly, this book is out of print and becoming harder to find. I attempted to contact both the author and publisher last year to ask if they have plans for a second edition or reprint, and received no response. If you wish a physical copy, act quickly. You can still find gently used copies for sale at reasonable prices for the time being. Otherwise, there are questionably-legal ways of getting a digital copy online. If you get yourself a free copy this way, and the book does become available again, please buy it to support the author. If you are just starting calligraphy and are looking for information on how to start using a calligraphy pen for the first time, you will likely be a little frustrated with Harris. While he does have a short section discussing tools, there's nothing on how to use them. This book assumes to assume you already know how to use a calligraphy pen. If I could talk Harris and the publisher into developing a second edition, I would ask them to add a chapter on writing slope setup and how to use and become proficient with a calligraphy pen. That all said, this is still my go-to calligraphy book for inspiration and when I need a refresher on how to form specific letters or scripts. | ![]() | |
Alexandre's Rating: | ![]() ![]() ![]() ![]() ![]() | |
Images of Period Examples | ![]() ![]() ![]() ![]() | |
Historic & Paleographic Knowledge | ![]() ![]() ![]() | |
Ductus/Instructions on Historic Scripts | ![]() ![]() ![]() ![]() ![]() | |
Accessibility to Novice Calligraphers | ![]() ![]() | |
Techniques for Left-Handed Calligraphers | ![]() |
Friday, December 5, 2014
Foundations of Calligraphy by Sheila Waters
Foundations of Calligraphy | by Sheila Waters | |
Alexandre's Rating: | ![]() ![]() ![]() ![]() | |
ISBN-13: 978-0966530513 - John Neal Bookseller | ||
Images of Period Examples | ![]() | |
Historic & Paleographic Knowledge | ![]() ![]() | |
Ductus/Instructions on Historic Scripts | ![]() ![]() ![]() ![]() ![]() | |
Accessibility to Novice Calligraphers | ![]() ![]() ![]() | |
Techniques for Left-Handed Calligraphers |
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This book would be an excellent addition to the library of any serious student of calligraphy who wants to improve their skills. Waters does a superb job of teaching how to be an analytical calligrapher: both in how to examine a hand to learn how to reproduce it, as well as common mistakes in the formation of different scripts and how to prevent them. This is a skills focused book that is written with the beginner/intermediate calligrapher in mind. The chapters are ordered such that they help guide a novice calligrapher, generally starting with easier scripts and progressing to more difficult. It is dense, and will probably provide more benefit to someone who is comfortable with the pen and a couple alphabets already. While she includes some decent notes on the history of the scripts, you'll have to look elsewhere for detailed history and high quality extant examples of medieval calligraphy. The focus of this book is on the skills, knowledge, and techniques needed to become a better calligrapher. |
Sunday, November 30, 2014
Calligraphy: A Course in Hand Lettering by Maryanne Grebenstein
Calligraphy: A Course in Hand Lettering | by Maryanne Grebenstein | |
Alexandre's Rating: | ![]() ![]() ![]() | |
ISBN-13: 978-0823005536 - Amazon | ||
Images of Period Examples | ![]() ![]() ![]() | |
Historic & Paleographic Knowledge | ![]() | |
Ductus/Instructions on Historic Scripts | ![]() ![]() ![]() | |
Accessibility to Novice Calligraphers | ![]() ![]() ![]() ![]() ![]() | |
Techniques for Left-Handed Calligraphers |
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If you want a detailed history of calligraphy, look elsewhere. If you want a beginner-friendly book that uses a different technique (tracing!) to get you started quickly putting pen to paper, this is a great choice. While it only covers 4 period hands and one modern teaching hand, it does so in a very accessible way. It also includes a great deal of information on tools and techniques a new calligrapher will need, and transparent guideline sheets to match each of the 5 hands it teaches. Please note: you will need a 2mm wide calligraphy pen and translucent tracing vellum to use the book as intended. I would have preferred to see the scripts presented in a different order: Foundational (a modern teaching hand), followed by Carolingian, Italic, Uncial then finally Gothic. But this is a minor thing, especially considering the instructional method. There's also nothing stopping you from practicing the scripts in that order instead.
The real strength of this book is that it allows students to jump very quickly into making letters. By comparing your letters to the example you are tracing you can immediately see what you did right, and what you didn't. If you are new to calligraphy, and frustrated or intimidated by creating letters freehand, this book offers a great alternative way to get started.
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